Composer who mainly works in a DAW
You want to build scenes and tweak sounds later in your computer-based project. Compare a software instrument such as Arturia Pigments with hardware whose audio you’ll need to record.
If you mainly work in a DAW and want to design sounds within your computer-based workflow, compare a software synth such as Arturia Pigments. Choose hardware if having a keyboard and hands-on controls matters to you. For chords and long layers, look at polyphony; for distinctive digital effects, consider the type of synthesis. Also check how a hardware synth’s sound gets into your recording: Novation, for example, states that the Peak’s USB port carries MIDI only, not audio.
You want to build scenes and tweak sounds later in your computer-based project. Compare a software instrument such as Arturia Pigments with hardware whose audio you’ll need to record.
You play chords and evolving backgrounds, so you’ll want to consider polyphony, modulation and how you play the synth.
You want to create your own digital sounds, risers or short patterns. To do so, compare options such as FM synthesis, waveform editing and sequencing.
Start with your recording workflow and the sounds you want to make. Then choose the controls and number of voices that suit the way you compose.
| What to consider | What to look for when buying | Who is this important for? |
|---|---|---|
| DAW and recording connections | For each model, check the difference between USB-MIDI and USB audio, its audio outputs and the inputs on your recording equipment. | When I work in a DAW, I want to know how a hardware synth’s sound gets into my project. Around 33% of shoppers put DAW and recording connections first. |
| Chords and atmospheric layers | Compare the polyphony of the exact model and consider how many notes you want to play at the same time. | I want to create chord layers and need to know how many notes my sound can contain at once. Around 27% of shoppers prioritise polyphony for atmospheric sounds and chords. |
| Digital effects | Compare the available sound sources, such as FM, wavetable or noise, and check which parameters you can control yourself. | If I want to design my own digital effects, I’m looking for a type of synthesis that suits my sound ideas. Around 20% of shoppers make digital sound design their top priority. |
| Compact controls | Decide whether you want to make patterns with pads, need a keyboard or already have a suitable MIDI controller. | I want to develop ideas in a compact setup, so I’ll choose between pads, a keyboard or a separate controller. Around 20% of shoppers prioritise compact pattern-making. |
USB-MIDI sends performance and control data, but that doesn’t automatically mean the synth’s sound will reach your DAW over USB. Novation states that the Peak’s USB port carries MIDI only; Arturia describes separate audio outputs for the MiniFreak.
Before buying, map out the complete signal path: from the synth’s audio output to the recording input you use.
A stated polyphony figure applies to the individual instrument, not to all the layers in your music project combined. Korg also notes that the opsix mk II’s maximum polyphony can vary depending on the settings.
Assess the synth based on the chords and sounds you want to play on it at the same time, rather than focusing only on the highest figure in the specifications.
The Novation Peak is a desktop module with no built-in keyboard. Bax Music also lists this model as having no keys.
Check whether you want to use a module’s controls and playing style, or whether you need a MIDI controller to play keys.
These brands offer different approaches to software, keyboard control, digital sound design and desktop use. The features mentioned apply to the specific models.
Compare the Pigments software synth with the hybrid MiniFreak if you’re weighing up a DAW workflow alongside a physical instrument.
The minilogue xd is designed for analogue-hybrid sound control, while the opsix mk II focuses on digital FM sound design.
The AIRA Compact S-1 is a compact option for patterns, leads and tweakable sound effects.
The Peak is a desktop option for anyone looking for wavetables and hands-on sound control without a built-in keyboard.
It depends on the exact instrument: USB-MIDI doesn’t automatically record the sound you hear from the synthesizer. Novation states that the Peak sends MIDI only over USB; for audio, use the outputs and a suitable recording input. Check this feature separately for other models.
Save your own sounds using the storage options available on your synth, and save your DAW project too. Korg states that programmes can be stored on the minilogue xd; before changing the firmware, consult your model’s manual and back up your project.
No. ACM ConsuWijzer explains that the retailer is responsible for the statutory guarantee if a product doesn’t meet what you could reasonably expect under normal use; this is separate from any manufacturer’s warranty. For online purchases, you generally have a 14-day cooling-off period from delivery, subject to legal exceptions.
Not without the necessary rights. According to the Dutch government, you may use other people’s copyright-protected music only with the creator’s permission. BumaStemra states that a licence is needed for music in a game or app, including music created specifically for the production; check the terms for any samples you use too.
If you’re unsure about an imported version, check the documentation for the exact device. Ondernemersplein explains that electrical equipment must comply with the applicable European safety rules and that, where required, the manufacturer provides a CE marking and EU declaration of conformity after assessment.