Choose a synthesizer with its own keyboard if you want to play straight away during rehearsals. A desktop module is mainly an option if you already have a suitable MIDI controller. Then compare how the voice limit handles long release times, how you control modulation and effects, and how the sound connects to your rehearsal room setup. Korg states that the multi/poly’s maximum polyphony depends on its settings, so the quoted voice counts are not directly comparable.
You want to play straight from the keyboard and avoid new notes cutting off earlier ones when chords ring out for a long time. So consider the number of keys, the voice limit and how easy the controls are to use while playing with others. Korg specifies 37 keys and up to 60 voices for the multi/poly, depending on the settings; Roland lists 61 keys for the JUNO-D6.
You hold chords while changing the sound, modulation or effects. Compare the controls and effects on the specific instrument with its voice limit: Arturia describes the MiniFreak as having six voices, a modulation matrix and three FX slots.
You already have a keyboard and are considering a desktop synthesizer. Check how your controller operates the sound source and how the sound will reach your rehearsal room setup. Novation describes the Peak as a desktop model; you’ll need a suitable controller to play chords.
Start by deciding whether you need a keyboard of your own or already have a suitable MIDI controller. Then compare the voice capacity for your chords, how you can control changes to the sound, and which connections will work with your rehearsal room setup.
| What to consider | What to look for | Who it matters to |
|---|---|---|
| Chords and long release times | Play successive chords with a long release; check the available voices for the sound and settings you use. | When I play chords with a long release, I don’t want new notes to cut off earlier ones. Around 33% of consumers give voice capacity during chord changes top priority. |
| Changing the sound while holding a chord | Check whether you can control the modulation and effects you want while playing. | I want to be able to make a sustained pad evolve as I play, without having to strike a new chord each time. That’s why around 27% of consumers prioritise sound design and effects. |
| Keyboard and space | Compare the number of keys and the dimensions with your playing style and the space available. | I need a keyboard that’s comfortable to play and fits in the rehearsal room. For around 20% of consumers, being able to play straight away on a suitably sized keyboard comes first. |
| Connecting to other equipment | Compare the audio outputs with the inputs on your mixer or interface; if you’re buying a module, check the MIDI connection on your controller too. | If I want to use my existing controller or mixer, I need to know in advance which connections my setup requires. Around 20% of consumers prioritise compatibility with their existing equipment. |
The stated maximum won’t necessarily apply to every sound setting. Korg says the multi/poly’s maximum varies according to the settings; according to Korg, the minilogue xd has up to four voices.
Try the sound you want to use by playing your own chords one after another and letting the long release ring out.
The Novation Peak is a desktop model. You’ll need a suitable controller to play chords.
Choose an instrument with its own keys if you want to rehearse without a separate controller, or check in advance that your existing controller is suitable.
MIDI control and audio use different connections. Korg specifies separate MIDI and audio connections for the minilogue xd; connection options vary by model.
Before buying, map out the route from your keyboard or MIDI controller to the synthesizer, and from the audio output to your rehearsal room setup.
The multi/poly and minilogue xd offer different ways to get a compact keyboard and shape your sound.
The MiniFreak is a compact hybrid keyboard with modulation and effects capabilities.
According to Roland, the JUNO-D6 is designed for playing in a band and has a 61-key keyboard.
The Peak is a desktop synthesizer for players who already have a suitable MIDI controller.
The MODX M6 is a keyboard model for players who want to use multiple sound engines and performances in one instrument.
No. The number of voices doesn’t set a fixed limit on how many complete chords can ring out: earlier notes, long release times and your chosen settings also use voices. Korg says the multi/poly’s maximum varies depending on the settings. So try your own chord changes with the sound you want to use.
Compare the audio outputs on the specific model with the inputs on your mixer, amplification or interface. Korg specifies separate OUTPUT L/MONO and R connections alongside MIDI IN/OUT on the minilogue xd; MIDI control doesn’t replace the audio connection. With a desktop model such as the Peak, you’ll also need a way to play notes.
According to ACM ConsuWijzer, for an online purchase by a consumer, you have up to 14 days to change your mind after the product has been delivered. Check the applicable terms and exceptions. This is separate from your statutory rights if a product is faulty or doesn’t meet the terms of the contract.
Not as a general rule for every product: according to the European Commission, CE marking is only required for products covered by specific harmonised EU rules that require it. EUR-Lex explains that equipment covered by EU electromagnetic compatibility rules must carry a CE mark. Check which rules apply to the specific model; a CE mark is not a performance test.
If a product breaks during normal use sooner than you could reasonably expect, the seller is responsible for providing a solution under the legal guarantee, according to ACM ConsuWijzer.
