Improviser who wants to save audio straight away
You want to capture the sound of your performance, so first decide whether to record on the instrument itself or through a computer.
Choose according to where you want to capture the sound: a workstation with a built-in audio recorder is ideal for recording without a computer, while USB audio suits a computer-based setup. USB-MIDI alone won’t record the instrument’s own sound as audio, so check the exact model’s audio connections and how you can save your recording. Then compare the keyboard and polyphony with your playing style, as well as the space and connections available in the music room.
You want to capture the sound of your performance, so first decide whether to record on the instrument itself or through a computer.
You play passages and chords where the keyboard’s range, key size and ability to play multiple notes at once may matter more than having the most compact instrument possible.
You regularly move and set up the instrument, and want to consider its dimensions, power supply and options for practising quietly.
First decide how you want to save your performance: as audible audio, editable MIDI notes or both. The right connections and keyboard depend on that choice and on the space where you play.
| What to consider | What to check before buying | Who will find this important? |
|---|---|---|
| Recording the sound of your improvisation | Check whether the model records audio internally, sends audio over USB, or needs its audio outputs connected to a recorder or interface. | If I want to save the sound I hear, I first decide whether I can record without a computer or will use a computer-based setup. Around 36% of consumers prioritise capturing audio. |
| Keyboard and notes played at the same time | Try a passage you actually play and compare the key size, number of keys and stated maximum polyphony of the exact model. | For passages played with both hands, I want to know whether the keyboard and number of available voices will suit my chords. Around 29% of consumers prioritise playing range. |
| Space and portability | Measure the available space and check the model’s dimensions, weight, power options and headphone socket. | In a shared music room, I also consider how much space the instrument takes up and how I can move and connect it. Around 21% of consumers prioritise space and portability. |
| Shaping sounds as you play | Compare the synthesis and controls of the exact model, and check that its voice limit and audio connection suit your playing style. | If I want to shape sounds as I play, I also consider what my chosen recording setup and the voice limit will allow. Around 14% of consumers prioritise sound design. |
USB-MIDI and recording the instrument’s own sound are different functions. Check what the USB connection on the exact model sends, and how the audio signal reaches your recorder.
Find out whether your setup needs a compatible audio interface and audio cables.
A pattern or phrase function doesn’t necessarily mean you can save a continuous performance as an audio file. Look specifically for an audio recording function and check how you can save the recording.
Key size, keyboard range and maximum polyphony can affect passages played with both hands and chords. Try a passage you want to record and compare the specifications of the exact model variant.
The KROSS 2 workstations are one option if you want to combine a keyboard with a built-in stereo audio recorder.
The JUNO-D6 is a 61-key synthesiser for a setup where you can use a computer.
The compact reface DX and the MODX M6 offer different keyboard and recording setups.
The MiniFreak is an option for players who want to shape a hybrid synth sound while improvising.
The Launchkey 49 MK4 is worth considering as a comparison for a computer or external synthesiser setup, but it isn’t a standalone synthesiser with its own sound source.
No. MIDI saves performance data; you need a suitable audio connection to capture the sound you hear. For a reface setup with a computer, Yamaha describes connecting the audio outputs to an audio interface. Roland specifies USB-C audio/MIDI for the JUNO-D6.
Check that the instrument will fit, what power supply it uses, how you can run the cables and whether you can practise with headphones. Follow the exact model’s manual for connections and maintenance; a compact keyboard won’t necessarily have the same features as a 61-key model.
Yes. If you want to hear a sound or record audio, you’ll also need a sound source and a suitable audio connection. Novation describes the Launchkey as a controller for software or connected hardware, so check how your chosen sound source sends audio to your recording device.
According to the Dutch government, you generally have a 14-day cooling-off period when buying at a distance. Products must also be of satisfactory quality; the Dutch government states that there is no fixed statutory guarantee period for all products in the Netherlands. If there’s a fault, contact the seller.
According to the Dutch government, copyright in your own musical work arises automatically. If you use someone else’s protected work, you can’t distribute or make a copy for personal use available to the public without the necessary permission. Also consider any rights held by others who contributed to the recording.