Pattern builder
You want to play in arpeggios quickly during rehearsals or save them step by step. How the arpeggiator and sequencer work together matters here: Roland, for example, states that the S-1’s sequencer cannot trigger its arpeggiator.
First decide how you want to play or programme your arpeggio, then work out whether you want to record the sound, MIDI notes or both. The Roland S-1 combines pads with USB audio and MIDI, but its sequencer cannot trigger the arpeggiator. A keyboard may suit live playing better, while multiple programmed tracks can be useful for layered parts. Always check that the connections and controls will work for your studio.
You want to play in arpeggios quickly during rehearsals or save them step by step. How the arpeggiator and sequencer work together matters here: Roland, for example, states that the S-1’s sequencer cannot trigger its arpeggiator.
You want to capture the synth sound and, if needed, editable MIDI notes in your existing recording setup. Check the difference between USB audio, USB MIDI and an audio output, such as the connections Roland and Novation list for their models.
You want to create your own sounds, overlapping notes or multiple programmed parts. The listed voices, tracks and sound features of models such as the Elektron Digitone II, Arturia MiniFreak and Korg minilogue xd can help you decide which workflow suits you.
First decide whether you want to play an arpeggio live or save it as a pattern. Then check the recording connections and make sure you have enough room for the instrument and its controls.
| What to consider | What should you check? | Who is this important for? |
|---|---|---|
| Playing or programming | Check how you enter notes, save patterns and use the arpeggiator with the sequencer. Roland confirms that the S-1’s sequencer cannot trigger its arpeggiator. | I want to play in an arpeggio quickly during rehearsals or save it as a repeatable pattern. Around 31% of consumers prioritise pattern control. |
| Recording audio and MIDI | Check whether the exact model sends audio, MIDI or both over USB, and whether your interface has the audio input you need. Novation describes the Bass Station II as sending MIDI over USB, with a separate LINE output for audio. | If I want to capture the synth sound and, if needed, editable notes in my recording setup, the connections need to be compatible. Around 31% of consumers prioritise recording connections. |
| Sound and parts | Compare the number of voices, how they are distributed across tracks and the sound features of the exact model. Elektron specifies 16 tracks and 16 available voices for the Digitone II. | I want to build my own sounds or multiple parts, and need to know how many notes can play at once. Around 23% of consumers prioritise sound and parts. |
| Space and controls | Measure the space available, including room for cables, and choose between pads and keys. Korg specifies a 37-key keyboard for the minilogue xd; the Roland S-1 is controlled using pads. | When space is limited, the choice between pads and a conventional keyboard matters to me. Around 15% of consumers prioritise space and playing surface. |
USB MIDI sends performance data, but it does not automatically record the sound you hear. Novation describes the Bass Station II as having a separate LINE output for sending audio to an audio interface, for example.
Before you buy, map out how both the notes and the sound will reach your recording project.
If your studio doesn’t have a suitable audio input and cable, you may need to get them. If you want a conventional keyboard, a pad-controlled module may also need an external MIDI keyboard.
On the Roland S-1, the sequencer cannot trigger the arpeggiator, as Roland confirms. So programming a pattern and playing an arpeggio don’t work in the same way on this model.
Check how you can play an arpeggio live and create a repeatable pattern on the model you’re considering.
The Roland S-1 uses pads, while Arturia and Korg specify 37-key keyboards for the MiniFreak and minilogue xd. Choose the controls that suit how you want to play during rehearsals.
Before you buy, check both your playing preference and the space available for setup.
The S-1 is a compact option with pads, a sequencer and USB audio/MIDI.
The Digitone II is designed for workflows with multiple programmed synth or MIDI tracks.
The MiniFreak combines a keyboard with sound editing, an arpeggiator and an internal sequencer.
The minilogue xd is a keyboard option for four-voice patterns, with both analogue and digital sound sources.
The Bass Station II is designed for bass and lead lines played on keys, with an arpeggiator and sequencer.
No. It depends on what the specific model sends over USB. Roland states that the S-1 sends both audio and MIDI over USB-C; Novation describes the Bass Station II as sending MIDI over USB, with a separate LINE output for audio. Check the model specifications and your audio interface before choosing a recording connection.
First check whether your computer recognises the device. Then try a direct USB or MIDI connection, a different cable or another port. Arturia suggests these steps in its troubleshooting advice, but they won’t necessarily resolve every issue.
No. According to ACM ConsuWijzer, when you buy as a consumer in the Netherlands, you’re entitled to a product that meets reasonable expectations under normal use, even without an additional warranty. If a product develops a fault too soon, the seller is responsible for providing an appropriate solution free of charge. These consumer rules don’t necessarily apply to business purchases.
Check whether the device on offer falls under harmonised EU rules that require CE marking. If it does, the required marking must be present. Your Europe and the European Commission explain this requirement for products covered by the relevant rules. This alone doesn’t mean that a specific version for sale has been checked separately.