Melody player who also plays chords
You find a hook by playing the keys and sometimes want to sound several notes at once.
First, decide how you want to create your melody. If you want to play in hooks and chords, compare the keyboard and polyphony; if you want to programme loops, look at the pattern input and sequencer. A dedicated instrument may suit a standalone bass or lead line, but also check how its sound, MIDI and power supply will fit into your rehearsal set-up.
You find a hook by playing the keys and sometimes want to sound several notes at once.
You build a melody step by step and want to edit patterns during rehearsal or bring them back later.
You start with a single rhythmic bass or lead line and prioritise hands-on sound control over freely playing chords.
The percentages below relate to consumers who want to write a dance melody in a rehearsal room. Each consumer has one top purchasing priority.
| What to consider | What to look for when buying | Who should prioritise this? |
|---|---|---|
| Playing melodies and chords | Compare the playing style and number of voices. According to their manufacturers, the MiniFreak and minilogue xd each have 37 keys, but different voice limits. | If I want to play hooks on the keys and try out chords, I look at the keyboard and the number of voices. Around 33% of consumers put melodies and chords first. |
| Programming patterns | Check the input method, sequencer length and pattern storage for the exact model. | If I want to enter a phrase step by step and edit it during rehearsal, I look at the controls and how easy it is to recall patterns. Around 25% of consumers prioritise pattern programming. |
| Creating a bass or lead line | Check whether you also want to play standalone chords; paraphony is not the same as separate polyphonic voices. | If my dance hook is mainly a bass or lead line, hands-on controls for that part may matter more than freely playing chords. Around 25% of consumers start with a bass or lead line. |
| Connecting and recording | Plan your connections and check the audio outputs, MIDI, USB function, cables and power supply for each model. | If I want to record the sound or notes using my existing rehearsal or recording equipment, I check the connections first. Around 17% of consumers make connectivity or recording their top priority. |
The Novation Bass Station II is paraphonic. That is not the same as having separate polyphonic voices for freely playing chords.
First decide whether your hook needs separate parts or simultaneous chords, then compare the voice architecture of the models.
A listed USB connection alone doesn’t tell you which recording signals a model sends.
Check the USB function in the manual for the exact model, and map out the route from the audio output to your recording equipment.
Depending on your set-up, you may need a suitable audio cable and audio interface.
The Roland S-1 has multifunctional pads, while the Arturia and Korg models mentioned have physical keyboards.
Try out the input method if you can, and choose based on how you come up with melodies during rehearsals.
If you want to play on keys, you may need a separate MIDI keyboard with a pad-based device.
The MiniFreak combines a keyboard with a sequencer, making it worth considering if you want to play melodies and create patterns.
The minilogue xd is a keyboard synthesiser for comparing keys, sound controls and a built-in sequencer.
The Bass Station II is designed for those who shape a melody mainly as a bass or lead part.
The AIRA Compact S-1 is a compact alternative for entering ideas using pads and patterns.
Not if you’re only writing a standalone bass or lead line. If you also want to play chords, compare the number of voices: Arturia lists six voices for the MiniFreak and Korg lists up to four for the minilogue xd.
First decide whether you want to record the sound you hear, MIDI notes or both. Then check the connections on the exact model and the inputs on your recorder or audio interface. Korg lists audio outputs, MIDI and USB as separate connections for the minilogue xd.
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