Chord player looking for long, lingering notes
You play sustained chords and want to know how many notes will remain audible when you play the next chord.
Start by choosing a polyphonic synthesiser with enough voices for the chords and notes you want to overlap. Then compare the modulation, effects and connections you’ll need for recording. A keyboard is ready to play straight away, while a desktop module is best suited to you if you already have a compatible MIDI controller.
You play sustained chords and want to know how many notes will remain audible when you play the next chord.
You want to make a chord change as you play, using modulation and effects, rather than simply choosing a fixed sound.
You already have a keyboard to control a module and want to find out in advance how MIDI control and audio recording will work in your studio. Novation describes these connections for the Peak as separate steps.
First, decide which limitation matters most for the way you play: polyphony, sound shaping, studio connections, or choosing between a keyboard and a separate module.
| What to consider | What to look for | Who is this important for? |
|---|---|---|
| Polyphony when chords overlap | Compare the number of voices with your chord changes and sound settings. Korg lists a maximum of four voices for the minilogue xd and up to 60 for the multi/poly, depending on the settings. | If I let chords ring out while I carry on playing, I want to know whether the notes I want will remain available. Around 33% of consumers prioritise polyphony for overlapping chords. |
| Sound movement and effects | Check which modulation options and effects the exact model has, and whether you can use them in your sounds. The number of effects alone doesn’t tell you whether they’ll suit the sound you have in mind. | If I want a sustained chord to change gradually, I look for useful modulation and effects. Around 27% of consumers prioritise evolving sounds and spacious effects. |
| Connections and recording | Decide whether you want to record MIDI, audio or both. Check the MIDI connections, audio outputs and any USB audio functionality on the exact model. | If I want to record my playing in a DAW, I want to know in advance how note control and audio recording work. For around 20% of consumers, practical studio recording is the top priority. |
| Keyboard or existing controller | Check whether the instrument has its own keyboard, how many keys you want and whether you already own a compatible MIDI controller. | If I’d rather play directly on the synthesiser or use my existing controller, I want a version that suits my setup. Around 20% of consumers make playing style and controller use their main consideration. |
Korg states that the multi/poly’s maximum polyphony depends on the settings.
Try your own chord changes with the sound layers and settings you plan to use.
For the Novation Peak, Novation describes MIDI via USB alongside a separate audio connection. Roland lists a USB-C audio/MIDI interface for the JX-08, so connections vary by model.
Check the USB audio functionality and available audio outputs for the exact model.
Depending on your existing setup, you may need extra audio cables or a suitable recording input.
The Novation Peak is designed to be played with a master keyboard; Roland lists a separate keyboard unit as an option for the JX-08.
Take your existing controller and preferred way of playing into account when choosing.
If you don’t already have a compatible controller, you may need one to play the module from a keyboard.
The multi/poly and minilogue xd we looked at offer different approaches to ambient chords: a keyboard with polyphony that varies according to the settings, and a four-voice model with an analogue signal path and digital multi-engine.
The MiniFreak we looked at is a keyboard with two digital engines and analogue filters, designed for shaping your own sounds.
The Peak we looked at is an eight-voice desktop module for a setup with external control.
The JX-08 we looked at is a compact module for use with a controller or DAW, with built-in sound controls.
The reface CS we looked at is a compact keyboard with a virtual analogue sound engine.
For the Novation Peak, Novation describes a MIDI connection to a master keyboard and a separate audio connection from the outputs to the equipment you use to listen or record. Decide whether your DAW needs to record MIDI, audio or both, and check the connections on the model you choose.
No: MIDI carries control data, while audio is the sound you hear. For the Peak, Novation describes MIDI via USB alongside a separate audio connection; Roland explicitly lists a USB-C audio/MIDI interface for the JX-08. So don’t assume a USB port does everything.
Check the backup procedure for the exact model before installing an update. For the MiniFreak, Arturia describes activation, software linking and firmware updates through the Arturia Software Center; the same process won’t necessarily apply to other models.
According to the Dutch government, when you buy at a distance you usually have a 14-day cooling-off period. You’re also entitled to receive a product that works as it should; if there’s a fault, contact the seller. The Dutch government states that the Netherlands doesn’t have one fixed statutory warranty period for all products.
Check that the specific product complies with the relevant EU product rules and carries the required CE marking. The Dutch government warns that compliance may be unclear when buying from outside the EU. According to Business.gov.nl, CE marking is not a quality mark.