Practising a melody
You want to repeat notes, phrasing and touch, and hear what you play straight away. Compare keyboards that feel comfortable and consider whether built-in speakers are right for your practice space.
If you mainly practise a folk tune on your own, a piano with built-in speakers is practical. If you play with others in a studio with its own monitoring, focus on the connections and controls. Yamaha says the CP88 has no built-in speakers and needs separate active monitors or headphones, while Roland lists built-in speakers for the RD-88 EX. Try the action for yourself, and check which stand, pedals and listening equipment you need for your set-up.
You want to repeat notes, phrasing and touch, and hear what you play straight away. Compare keyboards that feel comfortable and consider whether built-in speakers are right for your practice space.
You practise the melody with other musicians and want to know whether the built-in speakers will be loud enough or whether you need to connect the instrument to the studio system.
You regularly take the instrument with you and want to weigh up its keyboard, dimensions and weight against what else you need for sound and set-up.
A good fit if: you want to practise the melody on your own without having to connect to a studio system every time.
Keep in mind: check that the speakers will be audible in your rehearsal set-up, and find out which stand and pedals you need.
A good fit if: you want to switch sounds or play with others as well as practising on your own. Roland lists built-in stereo speakers and three zones for the RD-88 EX.
Keep in mind: extra sounds and zones aren’t essential for learning a single piano melody. Check that the sound will carry with the group you rehearse with.
A good fit if: the studio already has suitable monitoring and you need connections for the equipment there. Yamaha lists jack and XLR outputs for the CP88.
Keep in mind: Yamaha says the CP88 has no built-in speakers, so you’ll need separate active monitors or headphones. The Dutch specifications list a weight of 18,6 kg.
| What to consider | What to look for | Who is this most relevant to? |
|---|---|---|
| Touch and control of the melody | Play the same passage on different keyboards and compare the action; check the playing range of the specific model. | If I want to practise notes and phrasing repeatedly, I want to assess the action for myself. Around 33% of consumers prioritise touch and control of the melody. |
| Being heard during rehearsals | Ask what monitor, mixer or headphones are available, and check the instrument’s connections. | When playing with others, I want to be able to hear my part without assuming that small built-in speakers will be loud enough. Around 27% of consumers prioritise being heard during rehearsals. |
| Transport and set-up | Compare the dimensions and stated weight of the specific model; include anything else you need to bring separately. | If I regularly take the instrument to a different rehearsal room, I want to know how easy the whole set-up is to transport. Around 20% of consumers prioritise transport and set-up. |
| Sounds and connections | Decide whether you want to combine sounds or work with a computer; check the specific features and connections you’ll need. | If I also want to use the melody in arrangements, extra sounds and connections may be useful. Around 20% of consumers prioritise adding sounds and connections. |
According to Yamaha, the CP88 has no built-in speakers. Your listening set-up therefore determines how you hear the instrument in the rehearsal room.
Before you buy, find out what equipment is available and how to connect the piano to it.
The extra sounds and three zones on the Roland RD-88 EX aren’t necessarily needed to practise a single melody.
Choose these features if you’re also planning arrangements, splits or other stage use.
The instrument may not be the only thing you take to a rehearsal.
Make a list of everything you’ll need and try transporting and setting it all up.
As well as the piano, you may also need to bring a stand, pedal and listening equipment.
The P-225 is a portable practice piano; the CP88 is designed for a set-up with external monitoring.
The FP-30X is designed for portable piano practice; the RD-88 EX adds stage-ready sounds and zones.
The ES120 is a portable digital piano for practice, studio use and more.
The Privia PX-S1100 is a portable digital piano worth comparing if space for your set-up is important.
The Stage 4 88 is worth considering if learning the melody goes hand in hand with more elaborate live arrangements.
This selection focuses on practising on your own with a portable digital piano that has built-in speakers. Check that the playing range and listening set-up suit the way you rehearse.
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The listed speakers and headphone socket are suited to practising on your own; check whether 61 keys give you enough range for your repertoire.
The product name lists 300 sounds, 300 rhythms, an LCD screen and USB-MIDI.
No. Yamaha says the CP88 has no built-in speakers. Use separate active monitors or headphones, and check which connection your set-up requires.
Before you buy, check what’s included with the specific model and plan for a stable stand, the pedal you want and your listening set-up. Roland lists stand and pedal options for the FP-30X; Yamaha lists an FC3A pedal for the CP88, but you’ll still need separate monitoring.
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