Exam candidate working on technique
You want to practise your touch, dynamics and pedalling at home on an instrument that suits your exam requirements and pieces. EPTA Nederland, Trinity College London and ABRSM each set out their own exam routes.
Start with the requirements of your exam board and the range of your pieces: Trinity College London and ABRSM have requirements for digital pianos that vary depending on the exam route. Then compare the weighted, touch-sensitive keyboard, the pedal you need and how you want to listen at home. Built-in speakers are handy if you want to play without external audio equipment; a model without speakers may suit you if you already have headphones or studio monitors.
You want to practise your touch, dynamics and pedalling at home on an instrument that suits your exam requirements and pieces. EPTA Nederland, Trinity College London and ABRSM each set out their own exam routes.
You want to practise regularly and decide in advance whether you mainly need headphones, built-in speakers or both. Roland lists built-in speakers for the RD-88 EX; Korg says the D1 does not have them.
You want to practise exam pieces and connect the instrument to your existing audio or MIDI equipment. Connections vary by model; Korg, Roland and Nord each describe their own connection options.
First, check the requirements for your exam route, along with the notes and techniques in your pieces. Then decide how you want to listen, which pedal you need and which studio connections you’ll actually use.
| What to consider | What should you check? | Who is this important for? |
|---|---|---|
| Key feel and range | Compare the keyboard range, touch sensitivity and weighted action with the requirements of your exam route. Trinity College London and ABRSM each set their own requirements. | If I want to practise my exam pieces without making adjustments, the keyboard needs to suit the required technique and include all the notes. Around 33% of consumers prioritise exam technique. |
| Playing independently or quietly | Check for built-in speakers, a headphone socket and the external audio equipment you want to use. Roland lists built-in speakers for the RD-88 EX; Korg says the D1 does not have them. | If I want to play at home without extra audio equipment, or practise quietly, my listening setup needs to suit my space. Around 27% of consumers make their listening setup their top priority. |
| Pedal and complete setup | Check which pedal is included with each version and whether it supports the techniques in your pieces. Trinity specifies a sustain pedal where required; Korg says the D1 includes a damper pedal and lists a half-pedalling pedal as a separate accessory. | If my pieces require pedalling, I want to know in advance whether the included pedal is enough and what else I need. Around 20% of consumers prioritise the pedal and setup. |
| Connecting to your home studio | Check whether the audio outputs and MIDI connections are compatible with your existing equipment. Roland, Korg and Nord describe different connections for their models. | If I want to connect the piano to my existing studio equipment, I need to know which connections my setup uses. Around 20% of consumers prioritise studio connectivity. |
The required key response, range, sound and pedal depend on your exam route and chosen pieces. The product category alone doesn’t tell you whether an instrument meets those requirements.
Before choosing, compare your exam board’s rules with the full specifications and the pieces you’re practising.
Korg says the D1 has no built-in speakers. Without headphones or suitable external audio equipment, you won’t be able to listen to it on its own.
Decide in advance whether you’ll use headphones or studio monitors at home, and check which connections you’ll need.
Headphones, suitable studio monitors or the necessary connections may be part of your practice setup.
Korg says the D1 includes a damper pedal and lists a pedal for half-pedalling as a separate accessory.
Check the pedalling techniques in your pieces and compare them with the pedal supplied with the version you’re considering.
A separate compatible pedal may be needed for half-pedalling.
These examples can help you compare models and versions. The features listed apply to the specific models, not automatically to the entire brand.
The RD-88 EX combines stage and studio features with built-in sound for playing at home.
The D1 is a slimline stage piano designed for use with headphones or external audio equipment.
The CP88 is a piano-focused stage piano with a weighted keyboard and straightforward stage controls.
The Nord Piano 6 88 is aimed at pianists looking for a choice of piano and studio sounds with hands-on controls.
That depends on the exam board and type of exam. Trinity College London allows digital pianos for Digital Grades, provided they meet the requirements for range, a touch-sensitive weighted keyboard, piano sound and, where necessary, a sustain pedal. ABRSM sets its own requirements for digital pianos in the Practical Grades 2025–2026 syllabus. Don’t automatically apply these rules to an EPTA exam; check the requirements for your exam route and pieces.
Yes. ABRSM says pieces from the Piano 2025–2026 syllabus can be chosen for Practical Grades up to and including 31 December 2027. ABRSM sets conditions for the transition period and requires all three pieces to come from the same syllabus. Check which rules apply to your exam.
The Korg D1 has no built-in speakers. You can use the headphone socket or connect the line outputs to suitable external audio equipment; check which connections and cables your setup needs.
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