Four-hands duos
You share one keyboard and want to check whether its layout suits the score, or whether you need two matching playing ranges. Kawai describes the ES920 as having a Four Hands mode with two 44-key sections.
First, check whether the music is written for four hands on one keyboard or for two pianos: one stage piano won’t automatically replace a second instrument. For a shared keyboard, a standard layout will work if both parts fit within its range. If both players need the same range, check whether a dedicated duo or four-hands mode suits the score. Then make your choice based on how you’ll hear each other, what connections are available in the rehearsal space and what you’re prepared to transport.
You share one keyboard and want to check whether its layout suits the score, or whether you need two matching playing ranges. Kawai describes the ES920 as having a Four Hands mode with two 44-key sections.
Your choice will partly depend on the built-in speakers, the audio equipment available and how well you can hear each other. Manufacturers list different speakers and connections for each model, so check the details for the instrument you’re considering.
You take your instrument with you, so you’ll need to weigh up its keyboard and connections against what’s already available at the venue. Also check which stand, pedals and audio equipment you’ll need for your chosen set-up.
Compare the score with your preferred playing set-up before choosing sound features or connections. This will help you work out whether one shared keyboard is enough or whether you each need your own.
| What to consider | What should you check? | Who is this important for? |
|---|---|---|
| Keyboard layout | Compare the highest and lowest notes in both parts with the available range. Kawai describes the ES920 as having two 44-key sections, while Yamaha specifies that the CP88 has an 88-key keyboard. | If you want to know whether both parts will fit on one keyboard, start by checking its layout; around 33% of consumers say this is their top buying priority. |
| Being able to hear each other | Ask what speakers, monitors and connections are available. Roland lists built-in speakers for the RD-88, while Korg says the Grandstage X has no built-in speakers. | If you both need to hear clearly, find out what audio equipment the room requires; around 27% of consumers put being able to hear each other first. |
| Transport and set-up | Check the dimensions and stated weight of the exact model, as well as the stand and equipment you’ll need. Yamaha specifies that the CP88 is 1,298 mm wide and weighs 18.6 kg. | If you transport the instrument between rehearsal spaces, find out in advance what you’ll need to bring and set up; around 20% of consumers give transport and set-up top priority. |
| Touch and pedals | Try out passages together and check which pedal controls suit the playing mode. Yamaha lists an NW-GH3 keyboard and an included FC3A pedal for the CP88; Kawai documents an F-10H damper pedal for the ES920. | If your parts call for a particular touch or pedal set-up, you’ll want to try it together; around 20% of consumers put playing feel and pedals first. |
A standard split divides the keyboard, but that doesn’t mean both players get the same range. Some notes in the score may then fall outside the range of one of the sections.
Look for a clearly described duo or four-hands mode, and compare the key limits with both parts.
Korg says the Grandstage X has no built-in speakers, while Roland lists them for the RD-88. Without suitable audio equipment, a model without speakers won’t be audible on its own in the room.
Check the audio outputs on the exact model and ask what equipment and cables are available in the rehearsal space.
A set-up with external audio may require extra equipment and time to connect and adjust.
The specifications for the Yamaha CP88 and Nord Piano 6 each list one headphone output, not two separate sockets.
Work out in advance how you can both listen at the same time, and check what listening equipment you’ll need.
A shared listening set-up may involve extra equipment and connections.
A portable instrument doesn’t guarantee that the stand, seating and pedal controls will work for two players. Kawai lists compatible pedal options for the ES920.
Try the set-up with both players and check which accessories and pedal controls suit the way you’ll use each model.
You may need to bring and set up extra items, such as a stand, seating or suitable pedal accessories.
RD stage pianos are worth considering if you’re looking for portability and adjustable sounds or zones for rehearsals.
The CP88 is an 88-key stage piano for players looking for a full keyboard and connections for a studio set-up.
The portable ES920 digital piano is an alternative if two similar playing ranges matter more to you than an instrument from a stage piano range.
The Grandstage X suits a studio with external audio and a need for adjustable stage sounds.
The Nord Piano 6 88 is a stage-focused option for players who want to use layered sounds and a weighted 88-key keyboard for duet rehearsals.
Joybuy picks for piano duets and rehearsals where you’re looking for a portable piano with built-in speakers.
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The built-in stereo speakers are suitable for rehearsals without separate monitors; check that both parts fit within the 61-key range.
Weighted, touch-sensitive keyboard; built-in stereo speakers; USB-MIDI; headphone socket.
No. A split divides the keyboard, but that doesn’t mean both sections have the same range. Kawai describes a Four Hands mode with two 44-key sections for the ES920; check that this range suits the score.
Use suitable external audio equipment and check the available inputs and the cables you’ll need in advance. Korg says the Grandstage X has no built-in speakers.
That depends on the connections and listening set-up. The specifications for the Yamaha CP88 and Nord Piano 6 each list one headphone output, so check how two players can listen at the same time.
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