Expressive lead player
Wants to shape pitch and tone as they play a phrase. Compare the key feel, playing range, and pitch and modulation controls. Also check which expression signals your synth can actually process.
If you mainly play a software synth, choose a keyboard that fits on your desk and whose controls work with your software. For an external synth, first check that the connections match. Pitch and modulation controls are useful for expressive lead playing if your sound source can process those signals. A MIDI controller doesn’t make any sound itself, and a compact keyboard takes up less space but may offer less immediate playing range.
Wants to shape pitch and tone as they play a phrase. Compare the key feel, playing range, and pitch and modulation controls. Also check which expression signals your synth can actually process.
Plays through a computer and wants to control instrument or DAW functions from the keyboard. Check that the features and assignments work with the software you use.
Wants to control an existing synthesiser. Compare the controller’s and synth’s connections, and check that they support the MIDI or CV signals you need.
Choose this option: if you play your lead using a software instrument and also want to control DAW or plug-in functions from your keyboard.
Bear in mind: support and controls depend on your software configuration, so check the mapping in advance.
Choose this option: if you want to control a synth module with a matching MIDI connection or compatible CV/Gate inputs.
Bear in mind: having the right outputs doesn’t guarantee that the synth will process every expression signal. Check the connections and settings on both devices.
| What to consider | What to look for | Who is this important for? |
|---|---|---|
| Expressive lead playing | Try the key size and check the pitch bend, modulation, velocity sensitivity and location of any aftertouch. | If you want to shape pitch and tone as you play a phrase, you’ll need to know which signals your synth receives. Around 36% of consumers put expressive lead playing first. |
| Software control | Check the USB connection, support for your DAW and the assignment of controls to your synth. | If you want to adjust parameters while playing without constantly reaching for your mouse and keyboard, check that your software supports the features you need. Around 29% of consumers prioritise software control. |
| Connecting to hardware | Compare the inputs and outputs on both devices, the cables and power supply you need, and the signals the synth can process. | If an external synth is your sound source, the connection needs to match your setup. Around 21% of consumers prioritise connecting to hardware. |
| Desk space | Measure the available space, including room for cables, and try the key layout with your own lead phrases. | If desk space is limited, a smaller controller may be a good fit, but key size and playing range are still part of the decision. Around 14% of consumers prioritise minimising desk space. |
A controller alone won’t produce an audible synth lead. You’ll need a software instrument or synth module, and a way to listen to its sound.
Before buying, decide which sound source you’ll control and how you want to hear the sound.
On the Novation Launchkey 37 MK4, the polyphonic aftertouch mentioned by Novation applies to the pads. Arturia lists aftertouch on the keys of the KeyStep 37 mk2.
Check whether you want to play expressively using the keys or pads, and whether your synth can process those signals.
The right connection depends on the inputs and outputs of the specific controller and synth.
Compare the connections and power requirements of both devices before choosing a controller for an existing synth.
The KeyStep 37 mk2 is an option for expressive lead playing with software or compatible external hardware.
The Launchkey 37 MK4 is designed for playing and controlling features within a DAW.
The MPK mini Plus offers a 37-key option with controls for software and external hardware.
The Oxygen Pro Mini is a compact option if software control is important to you.
The nanoKEY Studio is designed for situations where desk space is limited.
This product selection features a 61-key keyboard piano with MIDI controller functionality. For synth lead playing, check that its MIDI connection and controls suit your software or external synth.
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A 61-key keyboard piano with MIDI controller functionality. Check that its controls suit the way you want to play your synth lead.
The product name lists a recording function, built-in speakers, a metronome and a music stand.
A standard MIDI controller doesn’t make any sound itself. You’ll need a synth module or a computer with audio software, plus a way to listen to the sound. Bax Music describes a MIDI keyboard as a keyboard for controlling other MIDI devices. Don’t confuse USB-MIDI with an audio or headphone output.
First, compare the synth’s connections with those of the exact controller model. USB for a computer, five-pin MIDI and CV/Gate are different connection options. Then set up the controls you want on the controller and synth.
You might: MIDI notes and additional DAW or plug-in controls aren’t set up in the same way. Check your DAW configuration and, if necessary, assign the sound parameters you want. Auto-mapping described by a manufacturer for a particular model won’t necessarily work with every software combination.
For an eligible online purchase from a business, the Dutch government generally provides a 14-day cooling-off period. Check the applicable terms and exceptions. You also have statutory rights if a product doesn’t meet the terms of the contract. The Netherlands doesn’t have a fixed statutory warranty period of two years; if there’s a problem, contact the seller.