Sound designer working with a DAW
You play in a bassline and want to adjust a filter or another synth parameter using a physical control, for example. Whether this works depends on the MIDI mapping and the support available in your software.
First, decide whether you’ll create your synth bass using a software instrument or an external synthesiser. Then choose controls you can assign to the sound parameters you want to adjust, and balance the keyboard’s range against the space available in your practice studio. A MIDI keyboard doesn’t make a sound by itself, and it won’t automatically control every parameter on every synth.
You play in a bassline and want to adjust a filter or another synth parameter using a physical control, for example. Whether this works depends on the MIDI mapping and the support available in your software.
You want to play bass parts on a keyboard with a key size and range that suit you. A larger keyboard also takes up more space in your practice studio.
You want to control an external sound source. So, assess the keyboard’s connections and power requirements alongside the synth’s input and capabilities.
First, decide where the sound will come from and how you want to control it. Then compare the key range with the space available, and, if you’re using hardware, check that the connections and power requirements are compatible.
| What to consider | What to look for when buying | Who should prioritise this? |
|---|---|---|
| Controlling sound parameters | Check how many controls can be assigned and whether your DAW or synth can control the parameter you want via MIDI. | I want to adjust a filter while playing, for example, without interrupting my bassline. Around 36% of consumers say sound control is their main concern when buying. |
| Key size and range | Compare the key size with the bass parts you play, and measure up to check that the keyboard will fit in your workspace. | If I want to play bass parts with fewer octave changes, the number of keys matters. Around 29% of consumers prioritise playing range. |
| Connecting an external synthesiser | Compare the output on the exact controller model with the input on your synth, and check the power supply and cables you’ll need. | I want to control an external synth during rehearsals, so the connection needs to work with both devices. Around 21% of consumers give hardware connectivity top priority. |
| Space in your practice studio | Measure the available space and check that you can comfortably reach the keys, controls and connected cables. | If there’s little room next to my other equipment, I want a keyboard that fits in the space practically. Around 14% of consumers say available space is their main concern. |
A controller sends MIDI messages, but that won’t produce the bass sound you want by itself. Akai specifically states that the MPK Mini MK3 doesn’t make a sound on its own.
Decide in advance which software instrument or hardware synth will produce the sound.
A control may require manual MIDI mapping or specific settings in your DAW. How it works depends on the software and synth you’re using.
Check support for your software version and find out how to set up the MIDI mapping you want.
Controllers and external synths may use different connections. Even a controller that works via USB needs a suitable power source in a hardware setup.
Compare the connections and power requirements of both devices before choosing your setup.
The Launchkey 37 MK4 is worth comparing if you’re looking for 37 keys, controls and a 5-pin MIDI output.
The MiniLab 3 is a compact option with 25 slim keys, while the KeyLab Essential 49 mk3 has a larger keyboard.
The MPK Mini Plus is a compact option to compare if you’re looking for a controller with hardware connections and a built-in sequencer.
The Impact LX Mini is designed for a compact USB-MIDI setup, with 25 mini keys and DAW controls.
The Oxygen Pro Mini is a USB-powered controller with 32 keys for controlling software instruments.
This Joybuy selection is for anyone who wants to play bass parts across a wide keyboard range and use software via USB-MIDI.
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Suitable for anyone who wants to play bass parts across a wide keyboard range and send MIDI to software via USB.
61 keys; the product description lists USB-MIDI, built-in speakers and a metronome.
For sound control, check that your software supports the MIDI mapping you want.
Not from MIDI messages alone: you’ll also need a software instrument or connected hardware sound source. Akai specifically states that the MPK Mini MK3 doesn’t make a sound on its own; check this for the model you’re considering.
First, check that your synth and DAW support the mapping you want. In Ableton Live, you can enable MIDI mapping, select a function and then turn the knob. The exact setup depends on your controller and software.
Yes, if the controller, power supply, connection and sound source are compatible. Novation describes using the Launchkey MK4 with USB power and a MIDI cable connected to external hardware; check the inputs and settings on your synth.
If a consumer product is faulty, you can ask the retailer to put things right. According to the Dutch Government, there is no fixed statutory guarantee period covering all products in the Netherlands. Online purchases from a business often come with a 14-day cooling-off period, although exceptions apply.
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