Producer with very little desk depth
You want to play melodies into your software without letting the controller take up what little workspace you have. Korg lists the nanoKEY2 as measuring 325 × 83 × 16 mm.
Start by measuring the clear width and depth of your desk, then decide whether you mainly want to play notes or also control parameters with knobs. A flat 25-key model takes up little depth; models with pads and knobs need more room, while a MIDI output may be important if you want to connect a compatible hardware synth. Check the connections, software and space available: a MIDI controller doesn’t make sound by itself. For example, Akai describes the MPK Mini MK3 as a controller that sends MIDI messages to software.
You want to play melodies into your software without letting the controller take up what little workspace you have. Korg lists the nanoKEY2 as measuring 325 × 83 × 16 mm.
You want to play notes and control software functions at the same time. Novation says the Launchkey Mini 25 MK4 has eight encoders and 16 pads; Arturia lists eight encoders and four faders for the MiniLab 3.
You want to connect a compact controller to a synth with a compatible MIDI input. Arturia lists a 5-pin MIDI output for the MiniLab 3; Akai lists one for the MPK Mini IV too.
First measure the available space, then decide whether playability, hands-on control or connecting to hardware matters most to you.
| What to consider | What should you check? | Who is this important for? |
|---|---|---|
| Desk space | Measure the available width and depth, including room for cables. The listed dimensions are 325 × 83 × 16 mm for the Korg nanoKEY2, 339 × 177 × 49 mm for the Novation Launchkey Mini 25 MK4 and 355 × 220 × 50 mm for the Arturia MiniLab 3. | If my desk is shallow, I want to leave enough room for my computer and other things. An estimated 36% of consumers prioritise space above all else. |
| Playing melodies | Check the key size and range, and whether octave controls are available. Korg and Arturia both specify 25 velocity-sensitive keys and octave controls for the models mentioned. | I want to play melodies on keys that suit my playing style, even if I need to change octaves. An estimated 29% of consumers prioritise playability above all else. |
| Controlling sounds and software | Check which functions your DAW supports. Novation lists eight encoders and 16 pads for the Launchkey Mini 25 MK4; Arturia lists eight encoders and four faders for the MiniLab 3. | I want to adjust parameters or software functions using hands-on controls while I play. An estimated 21% of consumers prioritise direct sound or software control above all else. |
| Connecting to hardware | Compare the output with your synth’s MIDI input, and check the cable, power supply and settings. Arturia and Akai list a MIDI output for the MiniLab 3 and MPK Mini IV respectively. | I want to control my hardware synth, so I need to check that the two devices can connect. An estimated 14% of consumers prioritise a hardware connection above all else. |
Listed depths vary between models: Korg gives 83 mm for the nanoKEY2, while Arturia lists 220 mm for the MiniLab 3. Cables and other equipment take up space too.
Measure the available width and depth, and allow room for where the cable connects.
A MIDI controller doesn’t necessarily make sounds itself. Akai describes the MPK Mini MK3 as a controller that sends MIDI messages to software.
Check whether you need a software instrument or a separate sound source, and how the model you’re considering produces sound.
You may need suitable software or a separate sound source to hear anything.
A USB connection and a 5-pin MIDI connection are different ways to connect. The controller’s connection must match your synth’s input.
Check the connections, cable, power supply and MIDI settings on both devices for your setup.
The nanoKEY2 is a USB-MIDI option for desks with limited depth.
The Launchkey Mini 25 MK4 combines compact melody input with software controls.
The MiniLab 3 combines keys and hands-on controls with a 5-pin MIDI output.
The MPK Mini IV is aimed at anyone looking for pads, pitch and modulation wheels, and a MIDI output in one controller.
Not necessarily: Akai describes the MPK Mini MK3 as a controller that sends MIDI messages to software rather than making sound itself. If that’s the case, use a suitable software instrument, or check whether the model you’re considering has built-in sounds.
Select the controller as the MIDI input in your software, then load a software instrument. The exact setup and controls depend on the controller and DAW, so check the manuals for both.
It depends on your synth’s connections and setup. Arturia specifies a 5-pin MIDI output for the MiniLab 3; before connecting the devices, also check that you have the right cable and power supply, and that the MIDI settings are correct.
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