Music maker in a shared office
You’re making tracks alongside colleagues and want to listen through headphones. Bear in mind that the physical sound of the keys and pads may still be audible.
Start with a MIDI controller that suits your desk space and music software, then listen to the software through your computer’s or audio interface’s headphone output. More keys give you a wider playing range; pads and DAW controls are most useful if you’ll actually use them. Headphones won’t automatically make the keys or pads themselves inaudible, so assess their mechanical noise separately.
You’re making tracks alongside colleagues and want to listen through headphones. Bear in mind that the physical sound of the keys and pads may still be audible.
You record short parts and want to be able to set the keyboard down alongside your usual work setup. Measure the available space before choosing a model.
You build backing tracks from rhythms or clips and want controls that work with the DAW you use.
First, decide how you want to listen in a shared space. Then compare the desk space available, the playing range you need and the pads or controls you can use in your DAW.
| What to consider | What to look for | Who is this important for? |
|---|---|---|
| Listening in a shared space | Check the headphone output on your computer or audio interface and, if possible, assess the physical noise from the keys and pads. | If I work in a shared office, I want to listen to my track through headphones without filling the room with sound from speakers. Around 33% of consumers prioritise keeping things quiet for colleagues. |
| DAW and rhythm controls | Check that your DAW supports the MIDI assignments you want and that the pad layout suits the way you work. | If I want to control drums or clips from the controller, the pads and controls need to work with my software. Around 25% of consumers prioritise DAW and rhythm controls. |
| Desk space | Measure the space available and check the dimensions of the exact model. | If I want to use the keyboard alongside my laptop and other work essentials, every centimetre of desk space counts. Around 25% of consumers prioritise a compact workspace. |
| Playing range | Decide whether you’ll play parts at the same time or record them layer by layer; also compare the size and feel of the keys. | If I want to play chords and melodies with a wider range at the same time, I need to know how many keys I’ll need. Around 17% of consumers put playing range ahead of the other considerations. |
The Akai Professional MPK Mini MK3 sends MIDI messages to software on a computer; the controller doesn’t generate sounds itself. You’ll also need a suitable software sound source and an audio output that’s been set up.
Before buying, check that your computer, music software and headphone setup suit the way you want to work.
Headphones are for listening to audio; the physical sound of the keys and pads may still be audible.
Assess the mechanical noise separately, for example by trying the model in a quiet environment if possible.
How useful the pads and controls are depends on your DAW’s features and settings. Assigning controls to suit your own workflow can take time.
Compare the actions you perform regularly with the MIDI assignments your software supports.
The Launchkey Mini 37 MK4 is designed for anyone looking for mini keys, pads and DAW controls in one controller.
Arturia presents the MiniLab 3 as a controller for software instruments, with included software and preconfigured DAW integrations.
The MPK Mini MK3 is a compact MIDI controller with controls for short parts and rhythms.
The Oxygen Pro Mini is a USB-powered MIDI controller with 32 mini keys.
This selection features a keyboard piano with MIDI controls. Check that the features and connection suit your computer and DAW.
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This may suit you if you’re looking for a keyboard piano with MIDI controls and 61 keys; check the connection and compatibility with your computer and DAW.
The product name lists a recording function, speakers, a metronome and a music stand.
Don’t assume you can with the Akai Professional MPK Mini MK3: according to Akai Professional, this model sends MIDI to software and doesn’t generate sound itself. Set up the audio output on your computer or audio interface for your headphones; the keys and pads may also make physical noise.
Check the USB connection and make sure the DAW’s MIDI input for notes is enabled. In Ableton Live, you may need to select the correct MIDI port and enable the Track setting; the steps vary between DAWs.
You’ll need computer software to hear sound from the Akai Professional MPK Mini MK3. Check which software is included with the exact model and whether it works with your computer and DAW.
For distance purchases from a business, consumers usually have a 14-day cooling-off period, subject to legal exceptions; this is set out by the Dutch government (Rijksoverheid). There is no fixed statutory guarantee period in the Netherlands: according to the Dutch government, a product must meet what you can reasonably expect from it. A manufacturer’s guarantee is separate.
Electronic equipment may be subject to EU product rules and CE requirements. The specific requirements that apply depend on the product; the European Union explains the CE rules for the relevant product groups.