Player layering sounds live
Wants to play several sounds at once under the same keys during a rehearsal, and switch quickly between layer and split settings. Novation and Roland describe functions for controlling multiple parts or zones.
Start with the sound source: a MIDI keyboard sends control data, but doesn’t produce an audible pad on its own. If you want to control layers from the keyboard, check both the layering function and the MIDI channels and receive settings on your instruments. Then weigh up the hands-on controls, key range and space available.
Wants to play several sounds at once under the same keys during a rehearsal, and switch quickly between layer and split settings. Novation and Roland describe functions for controlling multiple parts or zones.
Wants to play a pad while using assigned buttons, faders or an expression pedal to adjust sound parameters or balance. How useful this is depends on the settings in the software or sound source you’re using.
Is looking for a smaller controller for short parts and is happy to accept a more limited key range, provided their existing software or external equipment supplies the sounds they want. Akai specifies that the MPK Mini Plus has 37 mini keys and MIDI connections.
First decide how you’ll generate and hear the sounds. Then choose the controls and key range that suit your parts and practice space.
| What to consider | What should you check? | Who will value this most? |
|---|---|---|
| Controlling layers at the same time | Check the layer or split mode, the number of configurable zones, the MIDI channels, and whether both receiving tracks or devices are active. | If I want to play two sounds at once under the same keys during a rehearsal, I want to know whether my sound sources receive the parts correctly. Around 33% of consumers give controlling layers simultaneously their highest priority. |
| Adjusting sound and balance live | Check which faders, knobs and pedal inputs are available, and whether you can assign them to your DAW or sound source. | If you want to adjust a pad’s sound or balance as you play, controls that work with your own setup are especially useful. Around 27% of consumers prioritise live sound control. |
| Key range and playing feel | Compare the number of keys and the specified key action for each version. Try the key response if it’s an important part of your decision. | If I want to play chords and an additional part, my choice depends on the range and key feel I’m looking for. Around 20% of consumers make playing range their main consideration. |
| Space and sound source | Measure the space available and check the sound source, power supply, MIDI connection and route to your speakers or mixer. | In a small practice room, I want a controller that fits, as well as a clear route from MIDI to audible sound. Around 20% of consumers give the space available and their setup the highest priority. |
A controller sends MIDI control data. For Novation’s layering example, both receiving tracks need to be set up correctly and enabled.
Before you buy, map out the route from the keys through the MIDI receivers to the audio output, and test that you can hear both sounds at the same time.
The Akai MPK Mini Plus has 37 mini keys, the Novation Launchkey 49 MK4 has 49 semi-weighted keys, and the Studiologic SL73 MK2 has 73 hammer-action keys. These offer different ranges and key actions.
Try a representative chord and the additional part across the available range. Choose a compact size only if it suits the way you play.
Studiologic describes a setup for the SL MK2 in which a connected computer plays a virtual instrument through the audio outputs.
Check separately where the pad sound is generated and how the audio signal reaches the equipment in your practice room.
The Launchkey MK4 models are worth considering if you want to layer two parts; the Launchkey 49 MK4 combines this function with faders and encoders.
The A-88MKII is worth considering if you want a full-size keyboard with configurable zones.
The SL73 MK2 and SL88 MK2 are options to compare if you’re looking for hammer action and programmable zones.
The MPK Mini Plus is a compact option for short keyboard parts and an existing software or MIDI setup.
The Kontrol S-Series MK3 is worth considering if your practice setup already uses Kontakt, Komplete Kontrol and supported software instruments.
No, a controller such as the Launchkey doesn’t make a sound on its own. MIDI carries control data, so you’ll need configured software instruments or suitable external sound sources, and you’ll need to send their audio to your listening or mixing setup. For Novation’s layering example, both receiving tracks must be enabled.
Assign Part A and Part B to the MIDI channels you want, set the receiving instruments or tracks to those channels, then activate Layer. Novation’s example uses two enabled tracks. Test that both sounds are received before the rehearsal begins.
The Studiologic manual describes a setup with a computer connected via USB and a virtual instrument; its sound is played through the audio outputs. So check where your sound source runs and how it connects to the equipment in your practice room.
Check which software, power supply, cables and any pedals your setup needs. According to the Dutch Government, when you buy as a consumer from a business at a distance, you’re often entitled to a 14-day cooling-off period; this doesn’t apply to an online purchase from a private individual. The Dutch Government also describes statutory rights for faulty purchases in an EU country; any additional seller’s guarantee is on top of that statutory protection.
That depends on the EU product rules that apply to the specific device. According to the European Commission, CE marking is only compulsory when harmonised EU rules require it; the EU summary of the EMC Directive says that devices covered by the directive must be marked. A mark by itself doesn’t confirm which rules apply to a particular product or whether it complies with them.