Producer short on desk space
You want to record electronic patterns without letting the keyboard take over your compact workspace. So don’t just compare the number of keys: check the dimensions of the exact model, too.
Start by considering the space on your desk and where you’ll create the arpeggio: in your DAW, on the keyboard or using external equipment. A 25-key model takes up less width, while 37 keys give you more range to play straight away. Extra sequencer and MIDI connections are only useful if you’ll actually use them. Also check which MIDI data your recording workflow captures and what settings your DAW requires.
You want to record electronic patterns without letting the keyboard take over your compact workspace. So don’t just compare the number of keys: check the dimensions of the exact model, too.
You want to play and edit arpeggios in a computer session. Look at MIDI input, DAW controls and how your recording workflow captures the pattern.
You want to control external equipment as well as your computer. In that case, the right MIDI output and cable matter more than extra software features.
Start with the available width and depth. Then decide whether you want to create and control the arpeggio on the keyboard or in your DAW, and finally check whether you want to connect external equipment.
| What to consider | What to look for when buying | Who is this important for? |
|---|---|---|
| Space and key range | Measure the available width and depth, including space for cables. Compare the dimensions of the exact model. | If there’s little room left on my desk, I want to know whether the keyboard will fit without crowding my other equipment. Shoppers whose main priority is saving space make up around 31% of consumers with this buying need. |
| Recording arpeggios in your DAW | Check which MIDI input and recording settings you need; if possible, make a short test recording first. | If I want to edit a played-in pattern in my DAW, I need to know which data my chosen workflow captures. Shoppers who prioritise recordable arpeggios make up around 25% of these consumers. |
| External equipment | Compare the keyboard’s output with your instrument’s input and check which cable or adapter you’ll need. | If I also want to control an external synth, I want to know before buying whether the connections will work with my equipment. Shoppers whose main priority is controlling external equipment make up around 25% of these consumers. |
| Software and setup | Check what’s included with the model, whether it works with your DAW and computer, and whether you already have a suitable software instrument. | If I want a working recording setup without unnecessary extras, I’ll first check what software and equipment I already have. Shoppers who prioritise a useful starter setup make up around 19% of these consumers. |
Dimensions also vary between compact 25-key models. Novation specifies 339 × 177 mm for the Launchkey Mini 25 MK4, while Arturia lists the MiniLab 3 at 355 × 220 mm. According to Novation, the Launchkey Mini 37 MK4 is 478 mm wide. So measure your desk in both directions and allow room for the connections.
An onboard arpeggiator doesn’t automatically mean your DAW will record the MIDI pattern you want. Check the model manual and your DAW’s workflow, then test the selected MIDI port with a short recording.
Even 25-key keyboards can vary in depth. Arturia lists the MiniLab 3 at 220 mm deep; Novation specifies 177 mm for the Launchkey Mini 25 MK4.
Measure the available space in both directions and leave room for the connection and cable.
The controller, selected MIDI port and DAW settings all affect how you record the pattern.
Follow the instructions for your model and DAW, then check the recording with a short MIDI test.
TRS Type-A MIDI out, five-pin MIDI out and CV/Gate are different connection options.
Note your instrument’s input and compare it with the output on the exact keyboard model.
Depending on the connection, you may need a suitable cable or adapter.
A MIDI controller doesn’t produce instrument sounds on its own. Software may also require registration or configuration.
Check the terms for the exact bundle and make sure it’s compatible with your computer, DAW and existing instrument software.
Depending on your current setup, you may need additional software or equipment.
The Launchkey Mini 25 MK4 and Mini 37 MK4 are compact options with 25 and 37 mini keys respectively.
The MiniLab 3 combines 25 keys with software controls and a five-pin MIDI output.
The MPK Mini Plus is designed around 37 mini keys, a built-in sequencer and connections for external equipment.
The Impact LX Mini offers controls for keys, pads and arpeggios in a compact controller.
The Oxygen Pro Mini offers 32 mini keys and controls for DAW functions.
A MIDI controller keyboard usually controls software or other equipment and doesn’t automatically have instrument sounds of its own. Bax Music describes MIDI keyboards as controllers with no sounds of their own. Check that you have a software instrument or external sound source; MIDI notes aren’t the same as an audio recording.
Select the correct MIDI input and an instrument track in your DAW. For the MiniLab 3, Arturia recommends the ‘Minilab3 MIDI’ port; DAW controls may also need their own settings. For other models, follow the relevant manual.
First check the cable, USB port and MIDI settings. For the MiniLab 3, Arturia recommends a direct USB connection where possible; Akai says the MPK Mini Plus firmware should be updated before use. These are model-specific instructions from the manufacturers.
For most online consumer purchases, you generally have up to 14 days after delivery to change your mind, with some exceptions. ACM ConsuWijzer also explains that you’re entitled to a legal guarantee if a product doesn’t perform as you could reasonably expect under normal use; the seller is responsible for this. Check the terms for any included software separately.
In principle, you need permission from the creator to distribute someone else’s copyright-protected music. The Dutch government distinguishes between a private copy for personal use and distributing it: you can’t distribute a private copy. This rule applies to other people’s material, not to notes that are entirely your own original work.