For a software synth, look for controls you can assign to the sound parameters you want to adjust, as well as support for the DAW used in the music room. A compact keyboard may suit a small workspace, while an external synthesiser needs connections that match the equipment available. A standard MIDI controller does not produce bass sounds on its own: you’ll also need a suitable software or hardware sound source and audio output.
You play in bass notes and want to adjust software synth parameters using physical controls as you listen. Check that you can assign the controls to the parameters you want, as Arturia explains for MIDI CC assignment on the MiniLab 3.
You switch between playing notes and controlling your DAW, and may have limited desk space. Which controls work straight away partly depends on the DAW and version used in the room; Novation explains the integration and version limitations of the Launchkey Mini 25 MK4.
You want to control hardware from the same workspace. Compare the controller’s connections with the synthesiser’s inputs; Arturia lists MIDI DIN and CV/Gate among the connections on the KeyStep 37 mk2.
Start with how you make your bass sound: first check the sound controls and DAW support, then consider the space available and any hardware connections you may need.
| What to consider | What to look for | Who will value this most? |
|---|---|---|
| Adjusting sound parameters | Check whether you can assign encoders or sliders to the synth parameters you want. | I want to adjust a sound parameter while playing, for example, rather than relying only on a mouse; around 38% of consumers in this situation give manual sound control top priority. |
| DAW control | Check that it supports the DAW version used in the room and whether you’ll need to create your own MIDI mappings. | I want to control DAW functions as well as play notes, and switch quickly between tasks; around 31% of consumers value their DAW workflow most. |
| Space and playing range | Measure the space available and consider how many keys you want to use without switching octaves. | I need to use my controller alongside other equipment in a shared workspace and want to know whether the keyboard will fit; around 23% of consumers make limited workspace their top priority. |
| Connecting to hardware | Compare the synth’s inputs with the controller’s connections, such as MIDI DIN or CV/Gate. | I want to control the external synthesiser available, so I need to choose a suitable connection; around 8% of consumers put hardware connectivity first. |
A standard MIDI controller sends MIDI messages, but that doesn’t produce audible bass notes by itself. You’ll also need a suitable software or hardware sound source and audio output.
Before buying, decide which sound source you’ll use and how you’ll listen to the sound.
Having a physical control is not the same as having it already mapped to a synth parameter. You may need to configure the controls or create your own MIDI mapping.
Check the mapping for your DAW and synth, and find out whether you can assign MIDI CC values yourself.
Akai describes differences between the generations, including MIDI output, transport controls and DAW mappings.
Check the full model name and generation against the features you need.
These connections are not the same. The right option depends on the connections available on your external synthesiser.
Make a note of the synth’s inputs and compare them with the controller’s connections before choosing.
The MiniLab 3 is a compact option with controls for working with software; the KeyStep 37 mk2 is also designed for setups with external equipment.
The Launchkey Mini 25 MK4 is designed for a compact workflow, with keyboard and DAW controls.
The MPK Mini IV is a compact option worth comparing if you need pads, transport controls or MIDI connectivity as well as bass parts.
The nanoKEY Studio is a small option for anyone looking for a compact workspace or a compatible wireless MIDI setup.
This selection features a keyboard with MIDI controller functionality for anyone who wants to play in notes and is also looking for a 61-key keyboard. Check that its controls and connections suit the DAW and synth you use.
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A potential fit if you’re looking for a keyboard with MIDI controller functionality and 61 keys; check that the controls suit your synth and DAW setup.
The product name lists 61 keys, a recording function, speakers, a metronome and a music stand.
No, a standard MIDI controller does not make sound on its own. Akai describes the MPK Mini MK3 as a device that sends MIDI messages to software; you’ll also need a suitable software or hardware sound source and audio output.
DAW integration does not automatically mean that every knob is already linked to the parameter you want in your plug-in. Check the MIDI mode and assign the parameter yourself if needed; Arturia explains how to assign CC values on the MiniLab 3.
Check which DAW version, software and drivers are available and permitted on the computer. Novation provides separate installation instructions for the Launchkey MK4 Mini; if the computer is managed, ask the administrator for permission first.
For eligible distance purchases from a business, you generally have 14 days to change your mind, although exceptions may apply depending on the seller and product. Faulty products are also covered by the statutory guarantee; the Dutch government states that there is no fixed general guarantee period in the Netherlands and that the seller is your point of contact.
That depends on the product rules that apply to the specific device. The European Commission explains that CE marking is required for products covered by EU rules that make the marking compulsory; the mark is not, in itself, an independent quality assessment. Check the product information for the model on offer.
