Bass sound tweaker
You play bass notes and want to adjust synth parameters using physical controls at the same time. Being able to assign controls in your own software is therefore more important than simply having a certain number of keys.
For a software synth, it’s important to have controls you can assign to the functions you want, along with a suitable DAW setup. For an external synth, the MIDI connections need to be compatible with both devices. Then measure your desk and choose between more hands-on sound controls, dedicated software control or a slim setup. A MIDI controller does not necessarily produce synth sounds on its own.
You play bass notes and want to adjust synth parameters using physical controls at the same time. Being able to assign controls in your own software is therefore more important than simply having a certain number of keys.
You’re looking for a keyboard and control layout that fits on your limited desk space, while leaving enough room for your other equipment.
You want to control an external synth, so you’ll need to compare the MIDI connections and required cables for both devices.
First decide whether you’ll be controlling a software synth or an external synth. Then check the controls, available space and connections to find the right fit for your setup.
| What to consider | What should you check? | Who is this important for? |
|---|---|---|
| Hands-on sound control | Check which synth parameters your DAW or instrument lets you assign to encoders and sliders. | If you want to adjust sound settings while playing, check whether you can assign the controls you want to your synth’s functions. Around 36% of consumers put direct control of bass sounds first. |
| Fits your desk | Measure the available width and depth, then compare them with the controller’s dimensions. | If you have limited space next to your computer or other equipment, the keys and controls need to fit within the space available. Around 29% of consumers give desk space top priority. |
| DAW and software synth | Check compatibility with your DAW and plug-ins, any required settings, and whether you can assign MIDI controls manually. | If you want to control your recording software and software synth from the controller, check which functions work with your own software. Around 21% of consumers prioritise a smooth software workflow. |
| Connecting to an external synth | Compare the MIDI connections, cable type required and power requirements of both devices. | If you’re controlling an external synth, the signal path between the controller and synth needs to be compatible; a headphone socket is not a substitute for a MIDI output. Around 14% of consumers start by checking how the controller connects to external hardware. |
Controlling MIDI and producing audible bass sounds are two different things. Ableton describes MIDI controllers as controls for software instruments, among other things; that doesn’t automatically make the controller itself a sound source.
Before buying, decide which instrument will produce the sound and how you’ll listen to it.
You may also need suitable synth software or a hardware synth to produce sound.
The stated depths of the models discussed vary, so a controller could take up more of a small desk than its width alone suggests.
Measure the available width and depth, and allow room for cables and your other equipment.
The models discussed have different MIDI connections. For the iRig Keys 2 Mini, IK Multimedia specifies a TRS connection with an adaptor; a MIDI output is not an audio output either.
Compare the connections on both devices and check which cable type and adaptor you’ll need.
Some combinations may require a different or additional MIDI cable or adaptor.
The MiniLab 3 is worth considering if you want to control a software synth using physical controls, or connect an external synth at a later date.
The Launchkey Mini 25 MK4 is designed to work with several DAWs, while the FLkey Mini 25 MK2 is tailored specifically to an FL Studio workflow.
The MPK Mini IV is worth a look if you’re after pitch and modulation wheels, as well as a MIDI output.
The iRig Keys 2 Mini is worth considering if desk depth is limited or MIDI in and out are important to you.
Don’t assume it does: a MIDI controller sends performance and control data to a software instrument or external synth, for example. Choose your sound source first, then check the MIDI and audio connections; having a headphone output on a controller doesn’t change the distinction.
In Ableton Live, set up the required MIDI ports and select the instrument and correct input on the MIDI track. Ableton recommends enabling only the ports you need; when testing, also check the track’s monitoring setting or make sure it’s armed for recording.
Check which software is included with the exact version, how activation works and whether your computer meets the requirements. Akai lists the Studio Instrument Collection and Ableton Live Lite 12 for the MPK Mini IV; check the system requirements for that bundle separately.
According to the Dutch government, a product must meet what you could reasonably expect from it. The Netherlands has no fixed statutory warranty period; if something is wrong, contact the seller, even if a manufacturer’s warranty is also offered.
The Dutch government generally gives a 14-day cooling-off period for distance selling, with some exceptions. If a bundle includes separate digital software, check the terms for that item; don’t assume that every item has the same returns policy.