Choose a controller based on what you want to control while arranging: assignable controls are useful for dynamics and expression, while zones or a larger keyboard may help if you want to play parts simultaneously. Using two monitors doesn’t in itself call for a special type of controller; check that your DAW, library and controller support the window layout and MIDI assignments you need.
You build string phrases using a software library and want to edit notes, dynamics and expression. The controls you need depend on the patch; Spitfire Audio, for example, describes different MIDI controls for dynamics, vibrato and expression.
You might want to assign two instrument parts to different MIDI channels, so you’re looking at zones and a suitable number of keys. Novation describes zones for the Launchkey MK4 models.
You keep your arrangement and MIDI editing visible separately, and want controls that work with your DAW windows and instruments. Steinberg explains that in Cubase Pro, you can open the Key Editor in a separate window.
First, decide which controls you need while arranging. Then consider zones and keyboard range, and check that your DAW and library support the layout you want.
| What to consider | What to look for | Who is this important for? |
|---|---|---|
| Dynamics and expression | Check for assignable faders, encoders or a modulation wheel, and find out which MIDI CC your patch uses. For certain sustained articulations, Spitfire Audio describes controlling dynamics with a control rather than key velocity. | If you want to adjust dynamics and expression as you play, you’ll need to know which controls your patch uses. Around 36% of consumers give control over dynamics and expression top priority. |
| Two parts or zones | Check the zones, split point, MIDI channels and settings for the receiving tracks. Novation describes these zone features for Launchkey MK4 models. | If you want to play two parts from different key ranges, the zones and receiving channels need to match. Around 29% of consumers give playing multiple parts simultaneously top priority. |
| DAW windows across two monitors | Check whether your version of the DAW can show the editor you need in a separate window, and which controller functions you can assign. Steinberg describes this window option for the Key Editor in Cubase Pro. | If you want to see your project and MIDI editing side by side, your DAW needs to support the window layout. Around 21% of consumers give a two-monitor workflow top priority. |
| Key feel, range and space | Compare the number of keys and the key action on the exact model with the space you have available. Semi-weighted keys are not the same as a hammer-action keyboard. | If you want to match the playing range and key feel to your workspace, consider how much room the keyboard will take up too. Around 14% of consumers give key feel and space top priority. |
For the sustained articulations described by Spitfire Audio, dynamics are controlled using the Dynamics control, not key velocity. The controls vary by library and patch.
First check which MIDI CC your patch uses, then assign a suitable control.
You could spend extra time configuring your setup or find that you need a separately assignable control after all.
Arranging windows across your screens and routing MIDI to instruments are separate settings. A second monitor won’t split keys or MIDI channels.
Set up your DAW windows and the MIDI channels for the relevant parts separately.
Check each library to see whether it requires Kontakt or Kontakt Player. Having controller or instrument software doesn’t confirm compatibility.
Compare the software requirements for the library you want to use with what’s included with the model on offer.
Depending on the library, you may need to buy separate software or a library.
The Launchkey MK4 range includes models with 61 or 88 semi-weighted keys, physical controls and zones for a DAW-focused workflow.
KeyLab mk3 is designed for playing keys, aftertouch and controlling DAWs and instruments. KeyLab Essential mk3 is a separate range with a different keyboard.
The Kontrol S61 MK3 focuses on screen-based control of Kontakt, supported instruments and DAW functions.
The Oxygen Pro 61 combines a 61-key controller with controls for DAW transport, channels and faders.
The MPK261 combines 61 semi-weighted keys with aftertouch and pad-focused controls.
A related 61-key keyboard for MIDI input in a DAW setup.
No image available
May suit a workflow where you enter notes using a keyboard; check that the model on offer is suitable for your DAW setup.
The product listing mentions 61 keys and a MIDI controller function. Before buying, check that the specific model meets the applicable EU product requirements.
No. Using two computer monitors doesn’t mean your controller needs two displays of its own. Check whether your DAW can show the editor you need in a separate window; Steinberg describes this option for the Key Editor in Cubase Pro 15. A display on the controller serves a different purpose.
For the sustained articulations described by Spitfire Audio, dynamics are controlled using the Dynamics control, not key velocity. Check which MIDI CC is used for each library and patch, then assign your controller accordingly.
According to Novation, you can set up a split on Launchkey MK4 models with zones. Then configure the receiving DAW tracks or instruments to use the right MIDI channels; check the settings for your specific model and project.
For this software-based workflow, you’ll also need a configured sound source. Native Instruments explains that for Kontakt libraries, you load the library in Kontakt or the Kontakt plug-in, then configure the MIDI and audio settings.
CE marking is mandatory for products covered by applicable EU rules. The European Union explains that this depends on the rules applying to the product, so check the compliance of the specific model you intend to buy.
