Bassline writer working alongside colleagues
You want to enter bass notes and listen through headphones, without playing audio through the office speakers.
Start by deciding whether you mainly want to play bass notes on keys, need extra pads and DAW controls, or want to hear built-in sounds without a computer. A standard MIDI controller doesn’t make sound on its own: you’ll need a sound source and a suitable audio output with headphones. Built-in sounds and a headphone socket can offer another way to listen, but check separately how to record and monitor the sound you want in your DAW.
You want to enter bass notes and listen through headphones, without playing audio through the office speakers.
You regularly set up your controller and put it away afterwards, so its size and connections are important considerations.
You play in bass notes and also want to control rhythms, clips or DAW functions from the same controller.
First decide where the sound will come from and how you’ll listen privately. Then compare the number of keys you need, the desk space available and any extra controls.
| What to consider | What should you check? | Who is this important for? |
|---|---|---|
| Private listening | Work out where the sound is produced and where to connect your headphones. Also test how much noise the controls make at your desk. | If you use a software bass in the office, you’ll want to know which audio output to use. Around 27% of consumers give private listening top priority. |
| Desk space | Measure the available width and depth, including room for the cable, and check the dimensions of the exact model. | If you set up and put away a controller on a shared desk, available space could be the deciding factor. Around 27% of consumers put desk space first. |
| Keys and range | Check the number and shape of the keys, their velocity sensitivity and the octave controls. If possible, try how they feel to play. | If you mainly want to play bass notes on keys, it’s important that the layout suits the way you play. Around 26% of consumers give keys and bass range top priority. |
| Pads and DAW controls | Check DAW compatibility and any setup required. Distinguish between performance pads and a grid for clips or notes. | If you create basslines alongside rhythms, clips or software functions, extra controls can come in handy. Around 20% of consumers put these controls first. |
MIDI sends control data, so a standard controller can’t make a bass sound audible on its own.
Before you buy, map out the whole signal path: controller, sound source, audio output and headphones. Check where your DAW sends the sound.
Headphones let you listen to playback privately. They don’t guarantee that colleagues won’t hear the mechanical sound of the keys or pads.
Try the controls if you can, and discuss using the controller with your colleagues at work.
Akai describes the MPK mini MK3 as a MIDI model that needs software to make sound. The MPK mini Play MK3, by contrast, has built-in sounds and a headphone socket.
Check the full model name and decide whether you want to use software sounds or built-in sounds.
The SE25 is a compact option for playing bass notes on a keyboard with 25 mini keys.
The nanoKEY2 is an option if a slim keyboard design is important to you.
The MiniLab 3 combines a keyboard with pads, controls and a separate MIDI output.
The MPK mini MK3 and MPK mini Play MK3 use different methods to make and listen to sound.
The Launchkey Mini 37 MK4 offers a larger mini keyboard with pads, while the Launchpad Mini has a pad grid without piano keys.
This selection includes 61-key keyboards whose product names mention MIDI functionality. Check each model to see whether its keys, connections and features suit the way you work and the desk space you have available.
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Worth comparing if you’re looking for a larger keyboard with USB-MIDI.
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Worth a look if you want to compare a 61-key keyboard with a MIDI controller.
Connect them to the appropriate audio output on your computer or audio interface, then select that output in your music software. MIDI data doesn’t contain sound. The headphone socket Akai lists for the MPK mini Play MK3 is for that model’s built-in sounds.
Check that MIDI input is active in your DAW, a software instrument is loaded and the correct audio output is selected. Arturia describes separate MIDI and audio settings for the MiniLab 3; MIDI control and sound output are separate steps.
Discuss how you’ll use and listen to the controller with the people at your workplace, and, if possible, test how audible the keys and pads are. Arboportaal highlights disruptive noise as something to consider at work; headphones don’t automatically prevent mechanical noise from the controls.
For a qualifying distance purchase from a business, you’ll generally have 14 days to change your mind; terms and exceptions may apply. The Dutch government also distinguishes between the cooling-off period and the right to a product that meets the required standards. According to the Dutch government, there is no fixed statutory guarantee period in the Netherlands; if a product is faulty, the seller must resolve the problem.